I just couldn't remember the name, but I knew she was with Theon in the North. I am still not sure what her function for the story is, though.
She sounds like a script writer's device to justify more screentime/"insider" exposition/dialogue for Littlefingers through the first two seasons until he no longer needs it after he gets Sansa for all this (though I guess it's plausible they will keep her around - ie bring her to the Eyrie - to give someone from home to discuss with for Sansa scenes, or for scenes with Littlefingers where they want exposition/foreshadowing about stuff he keeps from Sansa. It's rather obvious they see Littlefingers as an important character for the TV series (audience friendly slimy figure, for whom they cast a great actor known to the HBO audience for his noted performance as a rotten politician on The Wire) and feel the need to keep him more present for the audience than Martin could afford to do in the novel format, where characters like him play a role, vanish for a while and return in bigger parts as the plot demands. Fantasy readers are used to that, but that doesn't work well with a TV audience (that would become a major casting problem in adapting a series like WOT, for instance - Jordan has way too many "guest stars" who return over and over for a few specific episodes then disappear sometimes for many books before they return. By the mid-series, he has dozens of those playing small recurrent roles in the entourages of the main players. ASOIAF has some of that too, but it's far less critical and Littlefingers & Ros seems like an example of how they chose to address this complication typical of the modern huge Fantasy sagas)
For e.g., Ros may become "useful" as well for scenes with Tyrion's own whore later on (isn't there a minor named whore character at the brothel at some point later the established Ros character could simply replace?).
As for involving her in a minor way with Jon, Theon and having her come all the way from Winterfell, it sounds like an effort to "build her up" with minimal additions to the story (aka building her a character arc economically), to give the viewers a character they can follow rather than giving Littlefingers scenes with random whores and such. If they kill her off later, having done this will increase the impact with the audience, and scriptwriters are obsessed with this kind of thing nowadays.
Game of Thrones 2.02
09/04/2012 03:11:35 PM
- 1135 Views
did the book hint Stannis was with Melisandre ? *spoiler*
09/04/2012 03:28:31 PM
- 698 Views
I felt it was strongly hinted in the books
10/04/2012 01:30:01 PM
- 647 Views
Exactly. In fact, until she said something to Jon in DWD, I felt the actual copulation was ambiguous
10/04/2012 02:02:13 PM
- 670 Views
I just think even with 10 hours of content this season, there isn't time for subtle hints.....
09/04/2012 05:50:15 PM
- 532 Views
I'm starting to get annoyed by the casting and the adaptations of the dialogue
10/04/2012 02:33:34 PM
- 641 Views
Re: I'm starting to get annoyed by the casting and the adaptations of the dialogue
12/04/2012 10:16:50 PM
- 580 Views
It's Ros, not a nameless whore.
12/04/2012 12:14:10 PM
- 553 Views
Righto
13/04/2012 12:07:03 PM
- 589 Views
Re: Righto
13/04/2012 04:33:30 PM
- 557 Views
The TV show should remind everyone that Martin should write screenplays, not novels.
16/04/2012 03:30:22 PM
- 555 Views
Except of course he's not really doing this..
16/04/2012 07:05:22 PM
- 616 Views
Re: The TV show should remind everyone that Martin should write screenplays, not novels.
24/04/2012 04:56:08 AM
- 506 Views