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Just on one point ... Nate Send a noteboard - 27/02/2011 05:19:08 PM
An example: I dimly recall that Chuck once saw Sarah "murder" a bad guy in cold blood. The viewers were in on it the whole time, because they see Chuck watching from a distance, but also get to hear the conversation where Sarah is pushed to commit murder. Even letting the audience understand the whole matter, the show could've run with this new problem for a while - Chuck could be extremely mistrustful of the woman he adores and who protects him.

Nope! They resolved that storyline either 2 minutes later before the episode ended, or about minutes in to the next ep. So why did they use up so much screen-time with these moments if they just dissolve away right quick?


I partially agree and partially disagree with the stuff you said about Chuck (I thought the second and third seasons were both still very good; the fourth season has dragged and been schizophrenic in its plotting, though), but I don't have the time or the inclination to get into a debate, so I'll just point out that the storyline you mentioned above was actually resolved at the end of the next episode (which started with Chuck having a dream about Sarah murdering him in bed and continued with Chuck acting weird around Sarah as he tried to protect Charlie from Lost). While it's true that they could have played it out longer, it's also true that playing out specific relationship plot bumps for more than a couple episodes has never been Chuck's style, for better or for worse -- and I just wanted to point out that this one wasn't resolved quite as quickly as you remember.
Warder to starry_nite

Chapterfish — Nate's Writing Blog
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