Mostly because it 1) debases genre fiction and 2) Provides no incentive for "serious writers" to stretch their imaginations
I think that Tom is correct that writers whose primary goal in writing is to tell an entertaining story should be judged more on those merits than on others, in general. Sanderson can be a lot of fun to read (except in Elantris, where the writing is downright terrible), and I enjoy his books. However, it's sometimes discouraging that writers who have prose/style weaknesses are encouraged not to work at improving that aspect of their stories, because their fans cry out on every forum that it's the entertainment that matters, not the writing.
Whether that's true or not, I feel writers who have prose/style weaknesses would create better books if they put effort into improving that; and writers who have plot/character weaknesses would benefit from improving that. Having a weakness doesn't make someone a bad writer -- every writer has a weakness -- but if they were encouraged to acknowledge that without worrying that doing so would hurt their sales, while at the same time seeking to improve their weaknesses over time, the end result could only be better books for the readers.
I perhaps should re-read what I had written to see if I make this distinction clearly, but me thinking Sanderson's prose is relatively poor does not mean that I equate that with him being a "bad writer" in the sense of his tales being unreadable for me. It's more a case of a particular weakness being more easily perceived by me than others (just like I might like a story with beautiful sentences that possesses a weak plot element, whether or not such was intended to be such) and as a reviewer, I bring that up in reviews because it affects my interaction with the text.
Je suis méchant.