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Well, of course. That's what makes it awesome. Cockatiel of Doom Send a noteboard - 01/02/2010 04:57:07 AM
I can think of a few musicals that are serious: Phantom, Les Mis, even 1776 to a lesser degree. But it is true that musical theater is very often comic. Theater, though... theater is pretty serious business.

I can think of two plays that I'd call sf/f. Waiting for Godot is one, and No Exit is the other. They're precisely what I'm looking for, too: they both use the fantastic to remove preconceptions of the world and thereby explore characters in depth. It's interesting that both of them do this in a very similar way.



1776? Really? I was snortling all the way through that. Mostly at the "I'm high" song, but still.

I can think of lots of more serious musicals, though, and Phantom would actually be close to the bottom of the list. Ragtime and Assassins are two that immediately come to mind. Then of course there are the ones that start out light and feel like they can't move into the second act without showing that they are very important by turning "dark". That's a trap that SO many musicals, and straight plays especially turn into. (Doubt, History Boys, I'm looking at you.) I think some theatre is afraid that it's not going to be good if it's light in tone all the way through and doesn't have some horrible twist.

Cabaret and Fiddler do this to some extent in the musical world. Rent tries and fails miserably, because it is horribly executed from the get go.

Sorry, I seem to have gone off on my theatrical rant. I am not sure how I got there. I will think of Little Shop and be happy.
Taking a break from being Ella

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Definitely. But again, it's campy and ludicrous. - 01/02/2010 02:25:00 AM 602 Views
Well, of course. That's what makes it awesome. - 01/02/2010 04:57:07 AM 599 Views
Re: Well, of course. That's what makes it awesome. - 01/02/2010 07:58:32 AM 585 Views
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Yes, Wicked does. *NM* - 07/02/2010 04:19:56 AM 223 Views

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