I held off reading this book for ages. Mainly because someone described it as a book about growing up in the South. While accurate, this is not all it is, and it is not the best selling point when describing a book to me: the bildungsroman has never been my favourite genre, and the American South not my favourite region. I also tend to be more drawn to European classics than the American ones (I do not know why; I am sure there is a sensible explanation that does not make me look like a bigot).
I'm the same way, I guess... some American classics I read and loved, but there are others that I feel not much inclination to read, and I'm certainly worse read in American literature than in British and French literature (though probably better than in the other major "literatures" ). I guess it might be because the mindset is a bit different from the European one, without being exotic enough to become fascinating in its strangeness. Though of course that depends on the book; "The Age of Innocence" could well pass for European literature. And a book like "The Catcher in the Rye" is very American, but somehow very recognizable even to Europeans all the same.
You should try Carson McCullers. I still need to read, well, all of her oeuvre except the one book, but that one book (The Ballad of the Sad Cafe) was one which, to quote your post below, "survived being taught in school", even in translation. I might bump her other books a few spaces up my list.
I do, however, feel drawn to the Truman Capote/F. Scott Fitzgerald New York scene of American writing, and it was via this avenue that I finally discovered Nelle Harper Lee for myself. She was a childhood friend of Capote, and I had heard that one of the characters in To Kill a Mockingbird was based on him. Naturally, I had to read it. Thus my discovery of one of the truly great books of the world.
What's with the Nelle?
Words like "compelling" have lost much of their meaning through over-use, which is sad because it suits the book perfectly. It is also perfectly plotted, quite apart from the important themes it deals with. Each strand of the story, which is skilfully made to seem like simply an episode or moment of small town life becomes important in the story as a whole: Boo Radley, Tom Robinson, the pride of the Cunninghams, the difference between the Cunninghams and the Ewells, Mrs Dubose, the rabid dog, Atticus' sense of honour and his ability to do what is necessary, all come together; and I cannot find fault with the claim that opens the book, that to make sense of Jem's broken arm, the story must begin where it does. The variety of impressions and local sketches, then, do not only have a value in their own right as creating an image of a particular time and place, they also have a place in a tightly constructed plot. Still, I would argue that the road to the end is still the main point.
It's funny how sometimes a writer can write a tremendously good book on their first try - and then stop publishing because they can never live up to the first one. Harper Lee is no doubt the best example, on a somewhat different level Margaret Mitchell comes to mind as well. Just imagine they'd written more books, even if none of those was quite as good as their magna opera (that looks very weird, but it should be right...).
More than all this, however: I love Atticus Finch. I defy anyone not to.
How very unsurprising.
This message last edited by Legolas on 23/05/2011 at 10:07:56 PM
To Kill a Mockingbird by Nelle Harper Lee
22/05/2011 06:28:11 PM
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I reviewed it last year
22/05/2011 07:45:48 PM
- 1970 Views
Huh. I seem to have missed that.
22/05/2011 11:17:11 PM
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As you noted, though, it's a fuller depiction of the South than "racist people."
23/05/2011 12:00:01 AM
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It's a beautiful, incredible book.
22/05/2011 08:21:48 PM
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Also
22/05/2011 11:33:27 PM
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Don't you think that, you know, too many people have read it already?
23/05/2011 09:55:52 PM
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Re: Don't you think that, you know, too many people have read it already?
24/05/2011 12:05:11 AM
- 1915 Views
Does that disqualify it?
24/05/2011 01:49:54 PM
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I don't know, if a lot of people want to have this book in a Book Club, I have no objections.
24/05/2011 07:01:38 PM
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Bah. This seems like a lame book. It will never catch on.
23/05/2011 01:31:10 AM
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Um, there's already a rfilm version of this.
23/05/2011 01:11:36 PM
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Suspect he knows that. *NM*
23/05/2011 01:15:46 PM
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Boy, that sarcastic subtext can be so hard to grasp in this virtual madness. *NM*
25/05/2011 06:49:03 AM
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I don't think I've ever met anyone who doesn't like this book. *NM*
23/05/2011 09:37:52 AM
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I've met some, but it was a casualty of middle school English. *NM*
23/05/2011 07:40:27 PM
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One of my nieces didn't like it. I think it was because she was forced to read it for school.
24/05/2011 02:33:23 AM
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Re: One of my nieces didn't like it. I think it was because she was forced to read it for school.
24/05/2011 10:15:45 AM
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Thanks for the review.
23/05/2011 10:07:46 PM
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Let me ask the politically incorrect questions, since no one else has.
24/05/2011 03:14:50 AM
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I don't understand why having a guilty black man would have made it more powerful.
24/05/2011 05:59:17 AM
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Hmm
24/05/2011 10:22:50 AM
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I could see your argument if Tolkien were writing about feminism.
24/05/2011 02:15:42 PM
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I think that's a fair point.
24/05/2011 07:00:04 PM
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Calpurnia is a stereotype too.
24/05/2011 11:54:26 PM
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The difference, at least in my recollection, is that Calpurnia is well-educated.
25/05/2011 08:09:58 PM
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Re: The difference, at least in my recollection, is that Calpurnia is well-educated.
25/05/2011 10:59:26 PM
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I think there was at least once incident showing a racist black person
24/05/2011 07:33:09 PM
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I think it was written to accomplish a goal and it did that very well
25/05/2011 04:08:17 PM
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Given your introductory portion
11/06/2011 01:28:40 AM
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I have read both
11/06/2011 11:35:11 AM
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All of Twain's stuff is great
13/06/2011 02:27:55 AM
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Re: All of Twain's stuff is great
13/06/2011 08:17:05 AM
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And some poets - Tennyson and Yeats come to mind. *NM*
13/06/2011 10:11:31 AM
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