I have a Press Pass. I am officially a SF/F Editor. Slightly rocking.

So. On Monday last I rocked on up to my first ever event as a fully paid up member of the Literary World (the pass was free). Naturally, I startd off amazingly well: I went to what I thought was the Press Pod, and made myself comfortable while I waited for the queue to form. A rather imperious woman looked down her nose at me and said, "If you're press, please go to the Press Pod". Ah, well done, Rebekah. You're in the authors' tent. Whoops.

Duly chastened, I slunk around the corner to the correct round tent (yurt?), grabbed a newspaper, and buried my head in it for a few minutes. Nice lady then showed me to the HUGE queue for Iain Banks' talk, and all was well with the world once more.

8 o'clock arrived and we were hustled into the main theatre and handed a dram of Highland Park whisky. I knew this was a good event to choose.

And then the man himself appeared. He's slightly scruffy, as you'd expect, and a little older than I thought he would be. He also has an amazing Scottish accent, and a penchant for dropping the F-bomb. I thought the old lady sitting next to me would be shocked and appalled, but then I remembered that I was in Scotland, and Fuck is practically formal language.

All sorts of topics were touched upon, although the majority of the question/answer session was about Transition. So. In note form, a few fascinating facts for you.

- Was written in a state of anger. Banks says he's been angry since the Iraq invasion, and Britian's involvement in torture. He says the book partly came from feeling ashamed of his own society.

- There is an element of Evil Financial Institutions in it, partly by accident (although he was writing this book at the time of the financial meltdown).

- The evil character is a woman because he did such a terrible job of making Grandma Win into the bad guy in The Steep Approach to Garbadale so he had to try again. Apparently he was more successful this time.

- a Socialist utopia written as a Lefty wish fulfillment.

- Response to the Space Operas of the 1970s, which he grew up on, and which were predominantly Right wing and American, and didn't have economic advances along with all the technological ones (apparently Capitalism = bad).

- Also a reaction to Britain's Sci-fi, which was depressing and miserable (think 1984).

- The protagonists are all outside of the Culture because, let's face it, Utopia is pretty boring.

- Surface Detail is set 800 years after the last Culture novel, and there have been Big Changes in the Culture. There are some new agencies, and this has lead to inter-agency turf wars. Nice.

- More Minds and sarcastic drones.

- Exquisite name for a ship: Falling Outside the Normal Moral Constraints

- Book he had most fun writing was Dead Air - easy because it was ranting. Book he wrote most quickly was Player of Games - first draft took 3 weeks. Book he's most proud of is The Bridge.

- The Crow Road was written to show what he felt about family and Scotland. Although he is an only child, he has a huge family, and so wanted to write a family novel.

- Favourite books and writers:

Graham Greene (made him more tolerant of religion)

Catch 22

Fear and Loathing in Las Vegas

Lanark (by Alasdair Gray)

David Mitchell

Everything from Aldiss to Zelazny

- Mr Banks is very funny, and really good to listen to. The hour-long event felt like it lasted about half an hour.